Tag Archives: Shamaine Centenera-Buencamino

Best Performances of the Decade So Far (20-11)

  1. Mimi Juareza, Quick Change (2013)

20 Mimi Quick Change

Character: Dorina Pineda, a transwoman running an illegal cosmetic-surgery business

“The idiosyncratic Quick Change fields superlative portrayals from its whole ensemble, led by Mimi Juareza in an indelible, career-making performance.” – Rito Asilo

“Mimi Juareza’s brave performance in Quick Change should make all gender-specific Best Actor/Best Actress categories irrelevant. As Dorina, a transgender who beautifies fellow transgenders by injecting their skins with a dangerous black-market substance, Juareza is all woman, even with that thing dangling between her legs. As the film’s lead character, it would have been very tempting for Juareza to upstage the many colorful supporting characters surrounding her by playing it big, but she refuses that easy route and goes instead for the subtle approach, imbuing Dorina with a quiet grace even as she shows us her character’s silent suffering as her world slowly unravels.” – SCL

  1. Angeli Bayani, Norte, Hangganan ng Kasaysayan (2013)

19 Angeli Norte

Character: Eliza, wife of a man wrongfully accused of murder

Bayani’s trademark serene underacting is given full focus whenever she’s in a Lav Diaz film and it’s clearly evident here as she plays a suffering mother at her wit’s end. Despite her small frame, she lends Eliza a solemn dignity and pride.

  1. Kristoffer King, Oros (2012)

18 Kristoffer Oros

Character: Makoy, a saklaan operator who prolongs funerals so he can make more money

“The film is buoyed by the natural grace of King, who’s fantastic. He navigates Baseco as though he isn’t acting.” – Cathy Peña

“King defines naturalistic acting so much that you will second-guess yourself whether you’re watching a fictional film or a documentary. Acting coaches would benefit from using Oros as instruction material.” – SCL

  1. Cherry Pie Picache, Isda (2011)

17 Cherrie Pie Isda

Character: Lina, a woman living in a dumpsite who gives birth to a fish

“Carrying her ‘fish child’ around with a desperate sense of affection has got to be one of the hardest things to parlay.” – Cathy Peña

“Kahit wala s’yang masyadong ipinakitang bago, na-maintain naman n’ya ‘yung pagiging consistent sa delivery. Hindi n’ya nilagyan ng butas ang storytelling na maaaring kasingitan ng pagkutya mula sa audience. Natatawa ang manonood hindi dahil sa kanyang dilemma kundi sa irony ng kanyang sitwasyon.” – Manuel Pangaruy

  1. Jericho Rosales, Alagwa (2012)

16 Jericho Alagwa

Character: Robert Lim, a widowed father of a young boy who goes missing

“Rosales finds his best role yet in Robert. He’s in almost every scene yet he never once hits a false note. It helps that he has great chemistry with Bugoy Cariño who plays his son.” – SCL

  1. Angelica Panganiban, That Thing Called Tadhana (2014)

15 Angelica Tadhana3

Character:  Mace Castillo, a young woman who finds solace from her heartbreak in a kind stranger

Straddling that fine line between comedy and drama in a single film can be a tricky job. A common tendency of actors is to magnify the extremes to showcase their range. Panganiban wisely downplays her efforts in generating laughter or tears from viewers by just playing it right, respecting the character’s realness and relatability.

“All of Panganiban’s previous roles prepared her for her performance as Mace. Panganiban expertly pulls back her usual babaeng bakla antics and does not go the all-the-way commercial-melodrama route to create a perfect portrait of a recovering heartbroken woman.” – Carl Joseph Papa

  1. Shamaine Centenera Buencamino, Niño (2011)

14 Shamaine Nino

Character: Merced, a spinster who reluctantly takes on the burden of taking care of her aging mother and bedridden uncle in a household sliding to ruin

For Buencamino, considered by many as a goddess of modern Philippine theater, no role is too small. As a family caregiver with burdens of her own, she effortlessly slides into her character, essaying an empathetic performance that will be remembered in years to come.

  1. Fides Cuyugan Asensio, Niño (2011)

13 Fides Nino

Character: Celia, once the darling of Philippine opera, who holds a tertulia, inviting her aging opera singer friends, as a last-ditch effort to awaken her bedridden brother

“Asensio gave the best performance in 2011’s Cinemalaya, and it is saddening that she does not get the recognition she deserves. She was an all-around threat. She is perfect in the role: she is funny, she is heartbreaking, and she sings REAAAAALLLY beautifully. I can go all day singing her praises.” – Carl Joseph Papa

  1. Eugene Domingo, Ang Babae sa Septic Tank (2011)

12 Eugene Septic Tank

Character: Herself as a wealthy movie star who gets cast as Mila, an impoverished mother of seven

“It was a high-wire act that showcased Domingo’s versatility. The degree of difficulty is considerable: there’s drama, comedy and even a dash of musical. There’s even social statement thrown into the fray – and they all worked quite well.” – Cathy Peña

“Sa kaso ni Eugene Domingo, wala namang kokontra na s’ya lang ang maaaring maka-pull off ng ganitong materyal.” – Manuel Pangaruy

  1. Angelica Panganiban, Here Comes the Bride (2010)

11 Angelica Here Comes

Character: Stephanie, a young bride who gets possessed by the spirit of a flaming queen in a mysterious solar eclipse

“Her wacky antics and over-the-top performance as a babaeng bakla is a spectacle you shouldn’t miss. I’ve never seen such an effective sexy comedienne since Rufa Mae Quinto played the endowed dimwit in Booba and Boobita Rose.” – Fidel Antonio Medel

“Panganiban is once again a revelation. She relishes her lividly gay persona with spirited brio. Her gay-speak deliveries are, in fact, pleasurable linguistic cadences, deliciously frivolous to inspire streetwise mimics. Yes, Angelica is even gayer than John Lapus in his pinkest moments! What a joy!” – Cathy Peña

*

PART 1: Nos. 100 to 81

PART 2: Nos. 80 to 61

PART 3: Nos. 60 to 41

PART 4: Nos. 40 to 21

PART 6: Nos. 10 to 1

INDIVIDUAL BALLOTS

Best Performances of the Decade So Far (Nos. 60-41)

  1. Chynna Ortaleza, #Y (2014)

60 Chynna #Y

Character: Abbie, a frazzled suicide hotline operator who is befriended by her caller

Ortaleza’s amiable turn as a hotline operator who goes out of her way to reach out to a troubled teen is a collective wish-fulfillment for our longing for genuine connection in an age of normalized fleeting, often hollow, encounters.

“Though the time she was in was very short, she made the most impact in a cast that was generally good. I kept on wanting to see more of her in the film but she was powerful in those few scenes she was in. That breakdown scene, just on the phone talking, is definitely the highlight of her career.” – Carl Joseph Papa

  1. Carla Abellana, Punerarya (2010)

59 Carla Punerarya

Character: Dianne, a part-time tutor to children of a family that owns a funeral parlor

In probably the shortest lead performance in this list, Abellana proves that a good actor doesn’t need a lot of screen exposure to truly shine. As the beleaguered tutor who slowly learns the real nature of her employers, Abellana ably carries the weight of the movie with her steely resolve.

“A feisty, empathetic heroine – and a ‘star’ is truly born!” – Cathy Peña

  1. Carlo Aquino, Porno (2013)

SONY DSC

Character:  Alex, a playboy porn dubber who gets haunted by an online ghost

Aquino’s haughty, smirking take of a strapping youth who is used to things going his way until he gets served cold vengeance can only be borne out of his experience in the industry honing his craft over the years.

  1. Agot Isidro, Mga Anino ng Kahapon (2013)

57 Agot Anino

Character: Irene, a married nurse suffering from schizophrenia

Isidro knows better than to play a mentally disturbed character with just the typical crazy-normal binary that lesser actors might resort to. She understands the condition from inside out and it shows in her layered, nuanced take on an illness not many are familiar with.

“Stripped of her dignity, Irene’s exasperation is palpable but never over-the-top in Isidro’s delicate thespic handling.” – Rito Asilo

  1. Dominic Roco, Ang Nawawala (2012)

56 Dominic Nawawala

Character:  Gibson Bonifacio, a young man who stops speaking after the death of his twin brother, for which he blames himself

“Dominic Roco delivers a well-limned performance as Gibson, who copes with guilt by going mute after he witnesses the death of his twin brother.” – Rito Asilo

  1. Bea Alonzo, The Mistress (2012)

55 Bea Mistress

Character: Sari, a seamstress who finds herself falling in love with a man who is the son of her much-older boyfriend

“Bea Alonzo, still the most gifted actress of her generation, delectably inhabits Sari with a highly nuanced turn. Her instincts are so fine-tuned she never misses a step.” – Cathy Peña

“As Sari, she is fragile yet assured, flighty yet sensible. It takes great skill to make viewers empathize with a kept woman and Alonzo manages to do just that.” – SCL

“Alonzo manages to make her less-than-likable character sympathetic, even when Sari’s choices don’t feel right.” – Rito Asilo

  1. Shamaine Centenera-Buencamino, Lorna (2014)

54 Shamaine Lorna

Character: Lorna, a 60-year old woman in search of life’s contentment

Buencamino dives into her character head-on and refuses to come up for air until she has fully grasped Lorna’s essence. She is at turns, funny, sad, sexy, motherly, logical, impetuous, and, above all, all-too-human.

  1. Eden Villarba, Ang Damgo ni Eleuteria (2010)

53 Eden Damgo2

Character: A balikbayan cousin of a girl about to marry her foreigner boyfriend

Villarba’s role as a woman giving last-minute advice to her mail-order bride cousin could have been perfunctorily essayed by a less intuitive actor. Villarba attacks it as a small-town diva, complete with an umbrella-carrying servant at her beck and call, who has been there and done it all when she lived in Germany for some time. Her confrontation scenes with a rival sophisticate, the city-bred recruiter of her cousin, are the film’s most hilarious moments.

  1. Art Acuña, Niño (2011)

52 Art Nino

Character: Mombic, the prodigal son of a once-prominent family

Theater vet Acuña expertly juggles the many facets of his character, a wily, street-smart single father who leaves his son in the care of his sister as he strikes a covert deal to sell the ancestral house with a cousin he once had an affair with.

  1. Ronnie Lazaro, Boundary (2011)

51 Ronnie Boundary

Character: Limuel Alcantara, a cab driver who robs his passenger

About 90% of Boundary is shot inside a cab, with Lazaro as the driver who picks up the wrong passenger to rob. Lazaro skillfully shifts from tense to respectful to guilty to uncertain throughout the long drive, you almost wish he won’t push through with his plan.

  1. Alex Medina, Babagwa (2013)

50 Alex Babagwa

Character: Greg, an online scammer who falls in love with his victim

“As a counterpoint to Joey Paras’ explosive scheming character, Medina more than holds his own by refusing to succumb to mug for the cameras. His slacker, stoic mien throughout hides the inner turmoil he’s undergoing as he slowly discovers the immorality of his trade by falling in love with a potential victim.” – SCL

  1. Raymond Bagatsing, Boundary (2011)

49 Raymond Boundary

Character: Emmanuel Lazaro, a mysterious cab passenger held up by the driver

As the other half of the duo in that fateful taxi ride to Antipolo, Bagatsing is calm personified as he begins to realize the situation he finds himself in. His cool confidence turns what would otherwise have been an implausible scenario of prey-turns-predator very logical.

  1. Maria Veronica Santiago, Pascalina (2012)

48 Veronica Pascalina

Character: Pascalina, a young woman who embraces her inner aswang when her boyfriend deceives her

“It’s Santiago’s courage to appear unlikable that makes her ironically likable. Her Pascalina is insouciant, antisocial, and operates to the beat of her own drum, yet Santiago makes sure that Pascalina doesn’t lose audience empathy by imbuing the character with just the right doses of quirky charm and cool level-headedness so that even when she does terrible things towards the end, viewers will still be rooting for her.” – SCL

  1. Jean Garcia, Ang Sayaw ng Dalawang Kaliwang Paa (2011)

47 Jean Sayaw

Character: Karen, a literature professor who gets entangled in a love triangle with two of her students

“Garcia gives a sublime performance, something that I have never seen from her before. She excelled most in the quiet moments.” – Carl Joseph Papa

  1. Lovi Poe, Sana Dati (2013)

46 Lovi Sana Dati

Character: Andrea Gonzaga, a young bride who gets cold feet when she meets a man who reminds her of the love of her life

“Poe has always been a natural onscreen and here she relishes the opportunity to wholeheartedly embrace her character, warts and all.” – SCL

  1. Olga Natividad, Mga Dayo (2012)

45 Olga Mga Dayo

Character: Ella Regalado, a housekeeping supervisor in a Guam hotel who’s finding it difficult to juggle her responsibilities at work and at home

Natividad, with her warm smile and dogged determination concealing the many problems she is facing, embodies the OFW spirit in Julius Cena’s gentle drama about Filipino workers in Guam. In a hotel breakdown scene she displays her formidable acting skills as she releases all her pent-up emotions without uttering a single word.

  1. Angelica Panganiban, Beauty in a Bottle (2014)

44 Angelica Beauty

Character: Estelle, a starlet struggling with her weight who gets chosen to be an endorser of a beauty product

Panganiban brings the house down in her uproarious performance that sends up her own image as a big-boned actor in an industry obsessed with Hollywood-dictated ideals of beauty. Her audition and shooting scenes (featuring her endless repetition of the line “Come back to the young and beautiful you”) are guaranteed to keep the audience in stitches.

  1. Ama Quiambao, Diablo (2012)

43 Ama Diablo

Character: Nana Lusing, a mother of five who sleeps restlessly as a mysterious, sinister-looking shadow watches over her

Quiambao is a force to be reckoned with in her dignified depiction of a silently suffering mother dealing with the loss of her husband and the petty squabbles of her grown-up sons.

“Quiambao’s luminous turn is just one of many standout portrayals in the eighth edition of the eagerly anticipated indie festival.” – Rito Asilo

  1. Martin del Rosario, Dagitab (2014)

42 Martin Dagitab

Character: Gab Atienza, a precocious college writer

Del Rosario’s surprisingly restrained performance in Giancarlo Abrahan’s arty film proves that when TV-bred young actors are given fully textured roles, they are more than capable of delivering the goods.

“I was mightily impressed with del Rosario’s performance. I knew somehow that he could act but I did not know that he could deliver such an intense performance, controlled without going overboard. He’s got that sort of pompous arrogance of a teenager down, then we see him mature in front of your eyes as the story progresses.” – Carl Joseph Papa

  1. Art Acuña, Posas (2012)

41 Art Posas

Character: Police Inspector Domingo, a ruthless cop who tortures a suspected thief

“Acuña is a sinister presence in Posas.” – Rito Asilo

“The revelation in the movie is theater actor Art Acuña. With his lean frame, calm delivery and mild demeanor, he succeeds to impart a level of malignity and truculence without even raising his voice. He scared the bejesus out of me. He likewise imparts charm in savagery, which is antipodean at best.” – Cathy Peña

“Acuña understands that a villain doesn’t know that he’s a villain: for him, he’s the bida. And you actually feel from Acuña’s performance that his character does not realize he’s a crooked person. Even when he’s waterboarding suspects and playing mind games with them, he believes that he’s doing it for a noble purpose. Acuña finds the humanity within each of the characters that he plays, good or bad. That is a mark of good acting.” – SCL

*

PART 1: Nos. 100 to 81

PART 2: Nos. 80 to 61

PART 4: Nos. 40 to 21

PART 5: Nos. 20 to 11

PART 6: Nos. 10 to 1

INDIVIDUAL BALLOTS